Jeffe Kennedy
Fantasy. Power. Passion

Why Writers Shouldn’t Pay Attention to Pet Peeves and Cranky Lists

Posted Apr 9 2013, 3:42 pm in , , , ,

003The last week was so warm, everything is leafing out and the lilacs are budding. Today we’re wrestling with a storm that slid down from Alaska (gee, thanks, Alaska) and we’re to get a hard freeze tonight. Yeah, I’ll be out there this afternoon, making free with the blankets.

I feel like lately I’ve been seeing lots of pet peeves in social media. Editors and agents like to tweet their peeves, often with the hashtag #pubtip. Sometimes a literary agency will start a conversation on the topic – “Hey readers, what are your literary pet peeves?” Bloggers will make lists of cliches to avoid.

All of these are great conversation starters on social media. After all, people love to air their gripes with each other, especially in a humorous context. It’s even better if those gripes derive from your work – the things you deal with all day, every day, week after week. They make for great riffs and people one-up each other and add gifs. It can be terrific entertainment.

I’ve even heard it said that you should follow agents and editors you’d like to work with, so you know what their peeves are.

No, no, no.

Seriously. Don’t do it. Don’t pay attention to these gripes and lists.

Why? Because they’re not really real.

Let me give you an example. A few weeks back I saw an agent tweet something along these lines:

“Pet peeve: books that open on dialogue. Voices shouldn’t come before we know who the bodies are. #pubtip”

This struck me because I’ve done this with published works. More than once. I bet we can all think of books that have done this and done it really well. This agent is right to call it a pet peeve – it’s nothing more than something that personally irritates her. So, should you change your book opening to please her?

Let’s consider that. Maybe you’re saying, sure Jeffe, if I’m querying her, I want my best odds, so for her I’ll open on description instead. Okay, fine, but she’s one of hundreds of agents you might query, with no guarantee that, just because you avoided that particular gripe of hers, she’ll want to represent you. So do you change your opening for every agent you query? Do you scour the internet and make a spreadsheet of every complaint every agent or editor makes, maybe categorized by type – openings, endings, characters, plot devices – and then check them off to groom them for that person?

Please tell me you wouldn’t do this.

There’s a fable for this, which everyone should recall, about the man who tried to please everyone. This is kind of a cutesy version, but the message  remains – when you try to please everybody, you end up pleasing nobody. Least of all yourself.

The thing to keep in mind is when these fine people – and I’ve seen my agent and editors, who I like and admire, do this – give advice, they’re seeing the world from their perspective. I know that seems self-evident, but stick with me. I think of this like the teacher with 30 students. They learn her name immediately. It takes her much longer to learn 30 names. An editor wants a manuscript that’s tailored to him. He’s not seeing the writer’s perspective of trying to assimilate the likes and dislikes of 30 editors. And really, it’s not his problem.

So, what’s the solution?

Three things: Be true to yourself, learn your craft and protect yourself from negativity.

Being true to yourself

See, even if you change your opening so cranky agent who doesn’t like disembodied dialogue openings will keep reading, she might also hate your second line. Or the fact that your main character is gay. Or that she isn’t gay. Reading is subjective. Either the agent will resonate with your work or she won’t. It’s tempting to try to control this, but you can’t. The sooner you accept that, the happier you’ll be. And I’ll let you in on a little secret – even if she hates that you started on dialogue, if she loves the rest of the story, she’ll still take it. She might call, gush about your wonderful story, offer representation and then say “oh, but I think you should open with this line.”

The one thing that will surely kill a story, however, is if it’s been worked to death to please everyone but yourself. It’s like the old saw that no one will love you until you love yourself first. If you don’t love your story, how do you expect someone else will?

Do what’s right for the story, first and foremost.

Learn your craft

Most of the cranky lists – things like “cliches writers should avoid” or “10 signs of bad writing” – are responses to poor craft. I saw one yesterday, that both my agent and one of my editors were all over with glee, that listed cliches. They each listed which ones they particularly hate. The thing is, I figured I’d probably done all of those things. For example, one was don’t have your character describe themselves in a mirror. I use mirror a lot. I’m really interested in the idea of self-perception and that the mirror is an archetype of being able to see your true self.  I know perfectly well if I pointed this out to my editor or agent, where in my books I’ve done this, they’d say “oh, but you avoided the cliche – you handled it differently.”

Thus, the answer is not truly to avoid cliches. That’s the simplistic approach. After all, cliches become cliches for a reason (also a cliche, right there). They get overused. The point is to use those memes or archetypes well enough that they transcend cliche instead of being a crutch.

That’s craft.

Protect yourself from negativity

To me, this is the hugest part. When I saw my agent and editor climb all over that list of cliches, my brain started churning and obsessing. How many of those have I done? Oh my god, isn’t that one in the story I just sent her? I started thinking about the story I’m writing now and wondering if I need to rework this or that. I worried. I felt like a Bad Writer. Even that one about not opening with disembodied dialogue niggled at me, even though the story I know I did it in has been used in workshops with that opening as a good example. That’s a lot of emotional impact on me, for something she likely Tweeted in a moment of irritation and promptly forgot.

See, when people post this stuff, they’re thinking about engagement. They’re enjoying sharing gripes with fellow professionals. They’re not thinking about the creator of the art who might be derailed by what is essentially, to them, cocktail party conversation. It’s not that its bad advice, necessarily, but they’re not thinking about how they’re saying it.

All of this is why I think writers shouldn’t pay attention to this kind of thing. I’m not saying don’t follow agents and editors you’re interested in. I absolutely think you should. But don’t treat everything they say as gospel. Who knows? By the next day they may have forgotten they even said it.

Now go write.

27 Comments

Comments

27 responses to “Why Writers Shouldn’t Pay Attention to Pet Peeves and Cranky Lists”

  1. Mona Karel says:

    Spot on as always. These issues take me back to a Popeye cartoon. Olive Oyl has declared she wants a ‘clean shaven man’ Popeye and Brutus spend the next however many minutes fighting over whose beard is shaven off first. In the final scene, Olive Oyl saunters by arm in arm with a full bearded man. Which proved several points: Some women don’t really know what they want; you can’t judge by exteriors; and you shouldn’t change yourself to suit anyone else. Kind of deep for a kid’s cartoon!
    Have you noticed the same editors who make those remarks will turn around and buy a book that breaks all their rules?

    • jken says:

      That’s a great example, Mona! Exactly – Olive Oyl knew what she wanted when she saw it. Editors and agents are the same way. Everybody has peeves and opinions – and a great story that resonates might go against all of them.

  2. Jillian says:

    Well done, you!! As always, very perceptive and spot on.

  3. Amy says:

    It is blogs like this that make me thankful I don’t write. Writing is so stinking hard I can’t even imagine all the things you guys have to consider and think about when dealing with agents, editors, and publishers on top of coming up with a fascinating story. 🙂

    • jken says:

      Well, that’s kind of my point here – this is one of those things writers can get rid of. Don’t make it harder than it has to be!

  4. Carien says:

    So…. can I take this post as gospel? Because I think it should be 😉

  5. Ella Quinn says:

    This is great advice and it’s not limited to agents and editors, but to contests as well. I’ve watched people try to reconcile conflicting advice just to please judges. I tweeted.

    • jken says:

      Thanks Ella! Good point on contests. There are *always* plenty of people excited to tell you what the rules are. It can be confusing and misleading.

  6. An excellent blog. I made a very similar point yesterday about a list of clichés – that they’re only clichés when they’re done badly.

  7. Erica says:

    Ha! Nicely written. Just had a conversation about this with someone in an online writer’s forum. I used the analogy of a single person (could be male or female) who has the list of all the qualities their ideal mate should have and all the irritating ones they shouldn’t. Check back later and see what kinds of people they’ve actually fallen in love with over the years (and who they ended up with, if applicable).

    It does seem like some people in writers’ forums love to trumpet these forbidden devices and tropes around in the guise of being helpful. But deep down, I wonder if at least some of them are delighting in sending less experienced writers into tailspins of despair and self-doubt.

    • jken says:

      That’s a great analogy, Erica – very apt. I suspect the ones that seem to delight in this sort of thing are less about tormenting less experienced writers and more about airing their own sense of failure. Not pretty, either way.

  8. Erica says:

    Nicely said. Nothing like that cold clutch of panic when one realizes something in one’s novel is on an agent or editor’s “hate list,” and then getting that breath of perspective.

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